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Showing posts with label US music sales figures vinyl. Show all posts
Showing posts with label US music sales figures vinyl. Show all posts

Monday, January 16

Epitonic: "Could vinyl save music retailers?"

Bob Hopkinson over at Epitonic writes:
...there are more sales of vinyl records than in the previous ten to fifteen years. Couple this "cool factor" with the record store's ability to offer of a product that subscription streaming services can't (music ownership) and what digital outlets lack (a physical product of superior audio quality that is impervious to computer crashes) and the independent record store has a viable product to help sustain its business. Only two years ago there were claims that albums were becoming obsolete. Now it appears as though albums may be revitalizing the music industry and saving the record store.
It's important to remember that while vinyl sales are increasing, they still occupy a teeny, tiny niche of all music sales. Through October 2011, overall music sales were at 249 million albums, with the booming vinyl market occupying a mere 1.6% of overall sales. The good news? Indie record stores, labels, and distributors have always occupied a niche, and most of us like it here. We are nimble.

I think it's disingenuous to imagine that file sharing doesn't affect album sales. When I talk to kids, kids that buy albums, they almost all say that the majority of their friends don't buy music and never have. How can this not affect music sales? Saying that piracy doesn't affect sales is like telling somebody that their hernia surgery is "only minor." The good news is that there is still a subset of music consumers who find value in purchasing music. Some combination of sound quality, ownership, and supporting artists compels them to actually pay for music. Serving this subset keeps us in business, and for them, we and the artists they support through purchases, are grateful.

Tuesday, May 13

One of the Best Field Trips Ever

Intern Monkey Jeff* and I had a great field trip last week. We went to the lovely and friendly confines of Chicago Mastering Service







where we listened to music in the best listening room I will ever enter.

Really.

The first time I visited last year with Intern Monkey Erin**, I heard things on Abbey Road that I'd never heard before. How is that possible?



We watched and listened to mastering engineer Jason Ward do his thing to the new LPs for KatJonBand and Darling Downs. After EQing them in the control room, we headed off to the lathe room.


I've pressed a decent amount of vinyl, and sold way more, but have never witnessed the magic of turning sound into grooves in a piece of lacquer.



The digitized info is fed into these old computers (with a few modern rack mounts)






where the sound is delayed,

analyzed for volume fluctuations, and then fed into the early 1970's variable speed Neumann cutting lathe that maximized the number of grooves on that side by speeding up on the quietar parts and slowing on the louder ones.



There a helium-cooled sapphire stylus cuts the groove into the vacuum-attached lacquer.



The lacquer goes off overnight to the pressing plant where it is plated and then waits in line for pressing.

It was....really, really cool.

Check out the pages on Loudness and Vinyl at the CMS page.
Also, here's a fun link to a short but enthusiastic 2001 interview with mastering guru George Peckham (hello! Beatles!) at Porky's Mastering that explains a bit more, plus it's all done in a great accent.

All great stuff!


*Name bestowed upon Jeff at lunch on his last day by Hot Doug (
and shouted with verve over the din when our order came up).

**Retroactively bestowed upon NTHS version 1.0, Erin.

Somewhere, somebody can make this layout better, but that person is not me!

All photos ©2008 Jeff the Intern Monkey

RIP Robert Rauschenberg

.


Thursday, January 3

Creepy Sales Figures

Overall physical retail decimation in US (according to RIAA) is

2002 v 2003 -6.8%
2003 v 2004 4.4%
2004 v 2005 -7.6%
2005 v 2006 - 12.8%
2006 v 2007 -15% (proj-with Xmas sales -20%)

By my primitive math, that's a drop of 33.3% (33 1/3) since 2002. What a spooky, ironic number. (33.36172 actually.)

These are overall figures, and are skewed toward the mega selling majors. Indies have fared better. Vinyl (both indie and major) has fared better.

Caveat: My math skills have eroded to microscopic levels and the 2007 number is an estimate—though the figure was put in before I did the math.