CTD Press Update 03/27/2012
Now Available Exclusively/Semi-Exclusively from CTD:
FEATURED:
Choir of Young Believers
"Rhine Gold"
Ghostly International: gi153
ROLLING STONE premier of "Patricia's Thirst":
“Founding songwriter and vocalist Jannis Noya Makrigiannis explains that the lush ‘Patricia's Thirst’ is structurally different than the group's other tracks. ‘Patricia's Thirst' is the fastest and shortest song we have ever recorded in the band. Not that it is particularly fast or short, but for us it is,’ Makrigiannis says. ‘Nis Bysted and Aske Zidore, our two friends who produced and recorded the song with us, forced us to play the song three times as fast in the studio as we intended. I was almost crying in despair and felt very misunderstood, but after screaming at each other for half a day, I actually ended up preferring their tempo over ours.’”
http://www.rollingstone.com/music/news/free-download-choir-of-young-believers-orchestral-patricias-thirst-20111208
CONSEQUENCE OF SOUND premier of "Patricia's Thirst":
“As our first taste off the record, the band has premiered 'Patricia’s Thirst'. COYB is known for a lonesome, folk-infused sound, but this track has a decidedly ’80s lean to it. Thanks to a heavy groove and a squawking guitar, Makrigiannis sounds less alone than ever, newly alive with the warmth of collaboration. But even still, the track maintains the group’s aesthetic of larger-than-life, nuanced soundscapes.’”
http://consequenceofsound.net/2011/11/check-out-choir-of-young-believers-patricias-thirst/
music art books zines people
Showing posts with label press update. Show all posts
Showing posts with label press update. Show all posts
Tuesday, March 27
Tuesday, February 28
CTD Press Update 2/28/12!
CTD Press Update 02/28/2012
Now Available Exclusively/Semi-Exclusively from CTD:
FEATURED:
Disappears
"Pre Language"
Kranky: krank164
SONIC CATHEDRAL:
“There’s not a wasted moment on this record – it’s just nine tracks of magnificently malevolent garage drone magic.”
http://www.soniccathedral.co.uk/2012/02/pre-language/
AQUARIUS RECORDS:
“This is a reminder that sometimes the things that actually sound the most mean and menacing are the ones that don't try so hard to put on an act, but instead just kick out bombastic songs with full on conviction. Something really refreshing these days about a band who channel their intensity with full on punk spirit, for focused and furious sounding results.”
http://aquariusrecords.org/cat/newest.html
CULTURE CRITIC:
“The Chicago collective return with an energetic follow up to 2010's Guider. Subtle it ain’t but neither is it lacking in depth - overdriven crunch guitars roll over accented, meandering bass-lines and unrelenting drums to create a punchy sound reminiscent of The Stooges.”
http://www.culturecritic.co.uk/recorded/disappears-pre-language/
ALTERNATIVE MATTER:
“Disappears has produced a momentous release in Pre Language that already vies for album of the year. It infiltrates and manipulates the senses to thrill and inspire whilst pushing the post punk envelope using incisive and stimulating ingenuity.”
http://alternativematter.net/reviews/disappears-pre-language
PITCHFORK premier of “Replicate”:
“Pre Language is the new album from Chicago noisemakers Disappears; it's out March 1 via Kranky. Sonic Youth drummer Steve Shelley is behind the kit for this one; the album was recorded with John Congleton (Cymbals Eat Guitars, St. Vincent) at SY's Echo Canyon West studio in Hoboken, New Jersey. 'Replicate' is the psych-heavy leading cut off the album.”
http://pitchfork.com/reviews/tracks/12966-replicate/
Now Available Exclusively/Semi-Exclusively from CTD:
FEATURED:
Disappears
"Pre Language"
Kranky: krank164
SONIC CATHEDRAL:
“There’s not a wasted moment on this record – it’s just nine tracks of magnificently malevolent garage drone magic.”
http://www.soniccathedral.co.uk/2012/02/pre-language/
AQUARIUS RECORDS:
“This is a reminder that sometimes the things that actually sound the most mean and menacing are the ones that don't try so hard to put on an act, but instead just kick out bombastic songs with full on conviction. Something really refreshing these days about a band who channel their intensity with full on punk spirit, for focused and furious sounding results.”
http://aquariusrecords.org/cat/newest.html
CULTURE CRITIC:
“The Chicago collective return with an energetic follow up to 2010's Guider. Subtle it ain’t but neither is it lacking in depth - overdriven crunch guitars roll over accented, meandering bass-lines and unrelenting drums to create a punchy sound reminiscent of The Stooges.”
http://www.culturecritic.co.uk/recorded/disappears-pre-language/
ALTERNATIVE MATTER:
“Disappears has produced a momentous release in Pre Language that already vies for album of the year. It infiltrates and manipulates the senses to thrill and inspire whilst pushing the post punk envelope using incisive and stimulating ingenuity.”
http://alternativematter.net/reviews/disappears-pre-language
PITCHFORK premier of “Replicate”:
“Pre Language is the new album from Chicago noisemakers Disappears; it's out March 1 via Kranky. Sonic Youth drummer Steve Shelley is behind the kit for this one; the album was recorded with John Congleton (Cymbals Eat Guitars, St. Vincent) at SY's Echo Canyon West studio in Hoboken, New Jersey. 'Replicate' is the psych-heavy leading cut off the album.”
http://pitchfork.com/reviews/tracks/12966-replicate/
Wednesday, February 22
CTD Press Update 2/21/12!
CTD Press Update 02/21/2012
Now Available Exclusively/Semi-Exclusively from CTD:
FEATURED:
Wild Belle
"Keep You"
Wild Belle/Sandhill Sound: shs001
BROOKLYN VEGAN:
“Wild Belle is one of Chicago's newest bands. They've only played a handful of shows, and so far only released a single song, but it's a good one. Listen to Keep You below and pick up the 12" when it comes out on 2/21.”
http://www.brooklynvegan.com/chicago/2012/01/meet_wild_belle.html
GUARDIAN UK:
“The effect is haunting but naggingly infectious – a double-whammy if ever we heard one. Whether or not the rest of their material will continue in this ethereal-ska vein we have no idea, although attendants at this year's SXSW, where Wild Belle are playing and bound to be one of the buzz-bands, will find out.”
http://www.guardian.co.uk/music/2012/feb/15/new-band-wild-belle
PREFIX:
“A steadfast drum-rattle bubbles under dancehall pulses, music-box chimes, and a hearty horn-line. Natalie Bergman’s coo sounds like the idyllic middle-ground between Kate Bush, Lykke Li, Robyn and Lily Allen. It’s basically one of our favorite songs in the world right now.”
http://www.prefixmag.com/media/wild-belle/keep-you/60469/
DONE WAITING:
“NOMO bandleader, Iron & Wine live member and fellow Midwesterner Elliot Bergman has a new project called Wild Belle. Their first single ‘Keep You’ is a sexy dubbed out psychedelic pop jam.”
http://www.donewaiting.com/2012/01/15/new-music-wild-belle-keep-you/
Now Available Exclusively/Semi-Exclusively from CTD:
FEATURED:
Wild Belle
"Keep You"
Wild Belle/Sandhill Sound: shs001
BROOKLYN VEGAN:
“Wild Belle is one of Chicago's newest bands. They've only played a handful of shows, and so far only released a single song, but it's a good one. Listen to Keep You below and pick up the 12" when it comes out on 2/21.”
http://www.brooklynvegan.com/chicago/2012/01/meet_wild_belle.html
GUARDIAN UK:
“The effect is haunting but naggingly infectious – a double-whammy if ever we heard one. Whether or not the rest of their material will continue in this ethereal-ska vein we have no idea, although attendants at this year's SXSW, where Wild Belle are playing and bound to be one of the buzz-bands, will find out.”
http://www.guardian.co.uk/music/2012/feb/15/new-band-wild-belle
PREFIX:
“A steadfast drum-rattle bubbles under dancehall pulses, music-box chimes, and a hearty horn-line. Natalie Bergman’s coo sounds like the idyllic middle-ground between Kate Bush, Lykke Li, Robyn and Lily Allen. It’s basically one of our favorite songs in the world right now.”
http://www.prefixmag.com/media/wild-belle/keep-you/60469/
DONE WAITING:
“NOMO bandleader, Iron & Wine live member and fellow Midwesterner Elliot Bergman has a new project called Wild Belle. Their first single ‘Keep You’ is a sexy dubbed out psychedelic pop jam.”
http://www.donewaiting.com/2012/01/15/new-music-wild-belle-keep-you/
Tuesday, February 14
CTD Press Update 2/14/12!
CTD Press Update 02/14/2012
Now Available Exclusively/Semi-Exclusively from CTD:
FEATURED:
Windy & Carl
"We Will Always Be"
Kranky: krank163
DROWNED IN SOUND 8/10:
“If you take an interest in ambient music, drone rock or related quasi-genres, it behoves you to own some of Windy and Carl’s catalogue; this is as useful and high quality a starting point as just about anything they’ve recorded.”
http://drownedinsound.com/releases/16796/reviews/4144461
NORTHERN TRANSMISSIONS interview with Windy & Carl:
“Some of the songs on the are pieces carl was working on in 2009 and 2010, and a couple of them are from a recording Carl made for me for Valentine’s day 2011. The first song on our new album is certainly from that batch, and when i thought of how and why he wrote the songs for me, I wanted to put lyrics with it that would mirror his feelings.”
http://www.northerntransmissions.com/interviews/windy-and-carl
PITCHFORK 7.4:
“When Windy & Carl lock together, it's like being privy to a great secret, imparted in a moment of intensely personal creativity.”
http://pitchfork.com/reviews/albums/16222-we-will-always-be/?utm_campaign=search&utm_medium=site&utm_source=search-ac
Now Available Exclusively/Semi-Exclusively from CTD:
FEATURED:
Windy & Carl
"We Will Always Be"
Kranky: krank163
DROWNED IN SOUND 8/10:
“If you take an interest in ambient music, drone rock or related quasi-genres, it behoves you to own some of Windy and Carl’s catalogue; this is as useful and high quality a starting point as just about anything they’ve recorded.”
http://drownedinsound.com/releases/16796/reviews/4144461
NORTHERN TRANSMISSIONS interview with Windy & Carl:
“Some of the songs on the are pieces carl was working on in 2009 and 2010, and a couple of them are from a recording Carl made for me for Valentine’s day 2011. The first song on our new album is certainly from that batch, and when i thought of how and why he wrote the songs for me, I wanted to put lyrics with it that would mirror his feelings.”
http://www.northerntransmissions.com/interviews/windy-and-carl
PITCHFORK 7.4:
“When Windy & Carl lock together, it's like being privy to a great secret, imparted in a moment of intensely personal creativity.”
http://pitchfork.com/reviews/albums/16222-we-will-always-be/?utm_campaign=search&utm_medium=site&utm_source=search-ac
Tuesday, January 24
CTD Press Update 1/24/12!
CTD Press Update 01/24/2012
Now Available Exclusively/Semi-Exclusively from CTD:
FEATURED:
Windy & Carl
"We Will Always Be"
Kranky: krank163
FLUID RADIO UK:
“We Will Always Be is the first release from the duo since 2008, and sees Weber’s vocals take a backseat in favour of a more open, wide-field sound. Their lo-fi guitar-based dronescapes may well have spawned a thousand imitators, but from the hands of these masters the approach continues to enchant and delight, with a mood that is altogether brighter and more blissful than previous works.”
http://www.fluid-radio.co.uk/2012/01/windy-and-carl-we-will-always-be/
RCRD LBL:
“Listening to a Windy & Carl song is like being inside a seriously uplifting dream. 'Remember,' an ambient fanfare with a lovely, strong drone, goes at its own pace. It doesn't so much have a final destination – more an exploration of a mood that appears gaseous and uneasy to grab.”
http://rcrdlbl.com/2012/01/11/download_windy_carl_remember
PITCHFORK premier of “Remember”:
“Ambient pop duo Windy & Carl's last release was 2008's Songs for the Broken Hearted; on February 13, they return with a new full-length, We Will Always Be, via Kranky.”
http://pitchfork.com/reviews/tracks/2/
UPCOMING SOON:
V/A
"We Are The Works In Progress"
Asa Wa Kuru: awk001
PITCHFORK premier of Four Tet's "Moma":
“The comp includes tracks from folks like Deerhunter, Karin Andersson of the Knife/Fever Ray, John Maus, Pantha du Prince, Interpol, Broadcast, Terry Riley, Liars, David Sylvian/Ryuichi Sakamoto, and Four Tet, who contributes the song you can listen to below, ‘Moma’.”
http://pitchfork.com/reviews/tracks/3/
Now Available Exclusively/Semi-Exclusively from CTD:
FEATURED:
Windy & Carl
"We Will Always Be"
Kranky: krank163
FLUID RADIO UK:
“We Will Always Be is the first release from the duo since 2008, and sees Weber’s vocals take a backseat in favour of a more open, wide-field sound. Their lo-fi guitar-based dronescapes may well have spawned a thousand imitators, but from the hands of these masters the approach continues to enchant and delight, with a mood that is altogether brighter and more blissful than previous works.”
http://www.fluid-radio.co.uk/2012/01/windy-and-carl-we-will-always-be/
RCRD LBL:
“Listening to a Windy & Carl song is like being inside a seriously uplifting dream. 'Remember,' an ambient fanfare with a lovely, strong drone, goes at its own pace. It doesn't so much have a final destination – more an exploration of a mood that appears gaseous and uneasy to grab.”
http://rcrdlbl.com/2012/01/11/download_windy_carl_remember
PITCHFORK premier of “Remember”:
“Ambient pop duo Windy & Carl's last release was 2008's Songs for the Broken Hearted; on February 13, they return with a new full-length, We Will Always Be, via Kranky.”
http://pitchfork.com/reviews/tracks/2/
UPCOMING SOON:
V/A
"We Are The Works In Progress"
Asa Wa Kuru: awk001
PITCHFORK premier of Four Tet's "Moma":
“The comp includes tracks from folks like Deerhunter, Karin Andersson of the Knife/Fever Ray, John Maus, Pantha du Prince, Interpol, Broadcast, Terry Riley, Liars, David Sylvian/Ryuichi Sakamoto, and Four Tet, who contributes the song you can listen to below, ‘Moma’.”
http://pitchfork.com/reviews/tracks/3/
Tuesday, January 10
CTD Press Update 1/10/12!
CTD Press Update 01/10/2012
Now Available Exclusively/Semi-Exclusively from CTD:
FEATURED:
Laura Gibson
“La Grande (Single)” & “La Grande (Album)
Jealous Butcher: jb093, jb096
NPR FIRST LISTEN:
“La Grande is a different beast with a different energy to it...and even a hint of otherworldly menace. It's the sound of a confident artist stretching her own limits, without losing sight of the warmth, richness, subtlety and haunted beauty that made her worth celebrating in the first place.”
http://www.npr.org/2012/01/08/144623414/first-listen-laura-gibson-la-grande?ps=mh_frhdl2
UPCOMING SOON:
Windy & Carl
"We Will Always Be"
Kranky: krank163
PITCHFORK premier of “Remember”:
“Ambient pop duo Windy & Carl's last release was 2008's Songs for the Broken Hearted; on February 13, they return with a new full-length, We Will Always Be, via Kranky.”
http://pitchfork.com/reviews/tracks/2/
V/A
"We Are The Works In Progress"
Asa Wa Kuru: awk001
PITCHFORK premier of Four Tet's "Moma":
“The comp includes tracks from folks like Deerhunter, Karin Andersson of the Knife/Fever Ray, John Maus, Pantha du Prince, Interpol, Broadcast, Terry Riley, Liars, David Sylvian/Ryuichi Sakamoto, and Four Tet, who contributes the song you can listen to below, ‘Moma’.”
http://pitchfork.com/reviews/tracks/3/
Now Available Exclusively/Semi-Exclusively from CTD:
FEATURED:
Laura Gibson
“La Grande (Single)” & “La Grande (Album)
Jealous Butcher: jb093, jb096
NPR FIRST LISTEN:
“La Grande is a different beast with a different energy to it...and even a hint of otherworldly menace. It's the sound of a confident artist stretching her own limits, without losing sight of the warmth, richness, subtlety and haunted beauty that made her worth celebrating in the first place.”
http://www.npr.org/2012/01/08/144623414/first-listen-laura-gibson-la-grande?ps=mh_frhdl2
UPCOMING SOON:
Windy & Carl
"We Will Always Be"
Kranky: krank163
PITCHFORK premier of “Remember”:
“Ambient pop duo Windy & Carl's last release was 2008's Songs for the Broken Hearted; on February 13, they return with a new full-length, We Will Always Be, via Kranky.”
http://pitchfork.com/reviews/tracks/2/
V/A
"We Are The Works In Progress"
Asa Wa Kuru: awk001
PITCHFORK premier of Four Tet's "Moma":
“The comp includes tracks from folks like Deerhunter, Karin Andersson of the Knife/Fever Ray, John Maus, Pantha du Prince, Interpol, Broadcast, Terry Riley, Liars, David Sylvian/Ryuichi Sakamoto, and Four Tet, who contributes the song you can listen to below, ‘Moma’.”
http://pitchfork.com/reviews/tracks/3/
Tuesday, January 3
CTD Press Update 1/3/12!
CTD Press Update 01/03/2012
Now Available Exclusively/Semi-Exclusively from CTD:
FEATURED:
Hauschildt, Steve
“Tragedy & Geometry”
Kranky: krank160
PITCHFORK 7.4:
“Throughout, Hauschildt deftly treads the fine line between guiding his instrument and letting its cyclical mechanisms do the work. You get the sense that he's basically happy to get out of his own way-- a common goal with anything this mantra-like-- and is as awed by the hypnotic aspects of overlapping synths as the emotional ones. Maybe that's the key to Tragedy & Geometry's sneaky power-- by letting his synths tell tales instead of forcing them to, Hauschildt finds stories bigger than his own.”
http://pitchfork.com/reviews/albums/16119-tragedy-geometry/
ONE THIRTY BPM:
“Tragedy & Geometry proves that Steve Hauschildt is unafraid to paint in clear and vivid hues. Some might lament the lack of tension in this album, but when the music’s this beautiful, who needs it?”
http://onethirtybpm.com/reviews/album-review-steve-hauschildt-tragedy-geometry/
PLASMODIUM:
“As many of Hauschildt’s synth driven contemporaries bury their compositions in post production trickery and useless sonic adornment, Tragedy & Geometry almost seems bare. It is that spareness that ultimately allows the songwriting, lush analog warmth and arpeggiated chord progressions to shine through.”
http://www.plasmodium.net/music/steve-hauschildt-tragedy-geometry/
SSG MUSIC: 8.5/10:
“At the heart of Tragedy & Geometry is the truth that Emeralds fans (and fans of the members’ solo works) have long been on a collision course with discovering: these guys know pop. Tragedy & Geometry doesn’t betray the outer-spaced sounds of Hauschildt’s more adventurous work, it just re-imagines it for an audience of potential new ears as it is aimed to excited longtime listeners.”
http://www.ssgmusic.com/november-in-review/
EXCLAIM:
“...Hauschildt's cosmic ambience comes with a very European touch, sounding much more elegant and urbane when compared to the work of his peers in the American electronic underground.”
http://exclaim.ca/Reviews/DanceAndElectronic/steve_hauschildt-tragedy_geometry
XLR8R:
“...the artist transforms what might otherwise be formless clouds of plinking melodies and deep synth chords into illuminating explorations of the subconscious, a feat that is achieved merely with the use of swirling, polyrhythmic arpeggiators and subtle drum machine sounds. The propulsive backbone that those elements provide immensely helps in setting Tragedy & Geometry apart from its peers and creating a much more satisfying listen, as it feels like you're actually in the midst of a long sonic journey with every rise and fall of the eclectic tracklist.”
http://www.xlr8r.com/reviews/steve-hauschildt/tragedy-geometry
Now Available Exclusively/Semi-Exclusively from CTD:
FEATURED:
Hauschildt, Steve
“Tragedy & Geometry”
Kranky: krank160
PITCHFORK 7.4:
“Throughout, Hauschildt deftly treads the fine line between guiding his instrument and letting its cyclical mechanisms do the work. You get the sense that he's basically happy to get out of his own way-- a common goal with anything this mantra-like-- and is as awed by the hypnotic aspects of overlapping synths as the emotional ones. Maybe that's the key to Tragedy & Geometry's sneaky power-- by letting his synths tell tales instead of forcing them to, Hauschildt finds stories bigger than his own.”
http://pitchfork.com/reviews/albums/16119-tragedy-geometry/
ONE THIRTY BPM:
“Tragedy & Geometry proves that Steve Hauschildt is unafraid to paint in clear and vivid hues. Some might lament the lack of tension in this album, but when the music’s this beautiful, who needs it?”
http://onethirtybpm.com/reviews/album-review-steve-hauschildt-tragedy-geometry/
PLASMODIUM:
“As many of Hauschildt’s synth driven contemporaries bury their compositions in post production trickery and useless sonic adornment, Tragedy & Geometry almost seems bare. It is that spareness that ultimately allows the songwriting, lush analog warmth and arpeggiated chord progressions to shine through.”
http://www.plasmodium.net/music/steve-hauschildt-tragedy-geometry/
SSG MUSIC: 8.5/10:
“At the heart of Tragedy & Geometry is the truth that Emeralds fans (and fans of the members’ solo works) have long been on a collision course with discovering: these guys know pop. Tragedy & Geometry doesn’t betray the outer-spaced sounds of Hauschildt’s more adventurous work, it just re-imagines it for an audience of potential new ears as it is aimed to excited longtime listeners.”
http://www.ssgmusic.com/november-in-review/
EXCLAIM:
“...Hauschildt's cosmic ambience comes with a very European touch, sounding much more elegant and urbane when compared to the work of his peers in the American electronic underground.”
http://exclaim.ca/Reviews/DanceAndElectronic/steve_hauschildt-tragedy_geometry
XLR8R:
“...the artist transforms what might otherwise be formless clouds of plinking melodies and deep synth chords into illuminating explorations of the subconscious, a feat that is achieved merely with the use of swirling, polyrhythmic arpeggiators and subtle drum machine sounds. The propulsive backbone that those elements provide immensely helps in setting Tragedy & Geometry apart from its peers and creating a much more satisfying listen, as it feels like you're actually in the midst of a long sonic journey with every rise and fall of the eclectic tracklist.”
http://www.xlr8r.com/reviews/steve-hauschildt/tragedy-geometry
Wednesday, December 14
CTD Press Update 12/13/11!
CTD Press Update 12/13/2011
Now Available Exclusively/Semi-Exclusively from CTD:
FEATURED:
Jacaszek
“Glimmer”
Ghostly International: gi147
NPR FIRST LISTEN:
“The music of Jacaszek drifts along the fringes of classical, electro-ambient music and experimental jazz — and ultimately transcends them all. There's nothing quite like it r.”
http://www.npr.org/2011/11/27/142705348/first-listen-jacaszek-glimmer?ps=mh_fl
FOXY DIGITALIS - 9/10:
“As astounding as Treny was, Glimmer is equally as brilliant. Jacaszek has truly created another masterpiece.”
http://www.foxydigitalis.com/foxyd/?p=22196#more-22196
IMPOSE:
“...if the track "Dare-gale" is any indication, Glimmer could make a good companion to Hecker's Ravedeath, 1972 that came out earlier this year.”
http://www.imposemagazine.com/bytes/week-in-pop-cormans-crystal-stilts-jacaszek
DUSTED:
“... a largely successful effort...Jacaszek’s wedding of disparate styles pays off in Glimmer‘s evocation of certain moods and expert shifts from mode to mode.”
http://www.dustedmagazine.com/reviews/6834
TINY MIX TAPES:
“Certainly, one of the most blatant and appealing characteristics of Treny was how outwardly emotional it was and how inspired it felt. Therefore, it can only be a positive that Jacaszek appears to have taken a similar approach with Glimmer.”
http://www.tinymixtapes.com/news/jacaszek-release-ominous-new-album-glimmer-naturally-signs-label-ghost-its-name
EXCLAIM:
“Part ambient, part avant-garde, part baroque, this is some intriguing stuff.”
http://exclaim.ca/News/jacaszek_to_glimmer_on_new_lp
Now Available Exclusively/Semi-Exclusively from CTD:
FEATURED:
Jacaszek
“Glimmer”
Ghostly International: gi147
NPR FIRST LISTEN:
“The music of Jacaszek drifts along the fringes of classical, electro-ambient music and experimental jazz — and ultimately transcends them all. There's nothing quite like it r.”
http://www.npr.org/2011/11/27/142705348/first-listen-jacaszek-glimmer?ps=mh_fl
FOXY DIGITALIS - 9/10:
“As astounding as Treny was, Glimmer is equally as brilliant. Jacaszek has truly created another masterpiece.”
http://www.foxydigitalis.com/foxyd/?p=22196#more-22196
IMPOSE:
“...if the track "Dare-gale" is any indication, Glimmer could make a good companion to Hecker's Ravedeath, 1972 that came out earlier this year.”
http://www.imposemagazine.com/bytes/week-in-pop-cormans-crystal-stilts-jacaszek
DUSTED:
“... a largely successful effort...Jacaszek’s wedding of disparate styles pays off in Glimmer‘s evocation of certain moods and expert shifts from mode to mode.”
http://www.dustedmagazine.com/reviews/6834
TINY MIX TAPES:
“Certainly, one of the most blatant and appealing characteristics of Treny was how outwardly emotional it was and how inspired it felt. Therefore, it can only be a positive that Jacaszek appears to have taken a similar approach with Glimmer.”
http://www.tinymixtapes.com/news/jacaszek-release-ominous-new-album-glimmer-naturally-signs-label-ghost-its-name
EXCLAIM:
“Part ambient, part avant-garde, part baroque, this is some intriguing stuff.”
http://exclaim.ca/News/jacaszek_to_glimmer_on_new_lp
Tuesday, November 29
CTD Press Update 11/29/11!
Now Available Exclusively/Semi-Exclusively from CTD:
FEATURED:
Tycho
“Dive”
Ghostly International: gi145
PITCHFORK 7.0!!:
“His attention to detail goes beyond highlighting individual instruments. It's there in the way Hansen simply builds a song, merging all the synth wooshes and percussive ripples to find a natural arc. ‘Daydream’, for example, starts out fairly simple with twinkly guitars and a sturdy, knocking beat, but the song's pulse quickens as it progresses, and by the end you've got something heady enough to live up to its title. Because Hansen clearly wants this to be a deep headphone experience, those subtle shifts go a long way in holding your interest.”
http://pitchfork.com/reviews/albums/16071-dive/
WIRED Feature on Tycho:
“When making his latest album, Dive, which came out last week on Ghostly International, Hansen fell in love with the Minimoog and ended up using it to create many of the sounds on the record. He also used string synths to get the ambient, atmospheric vibes he was looking for.”
http://www.wired.com/underwire/2011/11/tycho-synthesizers/
FEATURED:
Tycho
“Dive”
Ghostly International: gi145
PITCHFORK 7.0!!:
“His attention to detail goes beyond highlighting individual instruments. It's there in the way Hansen simply builds a song, merging all the synth wooshes and percussive ripples to find a natural arc. ‘Daydream’, for example, starts out fairly simple with twinkly guitars and a sturdy, knocking beat, but the song's pulse quickens as it progresses, and by the end you've got something heady enough to live up to its title. Because Hansen clearly wants this to be a deep headphone experience, those subtle shifts go a long way in holding your interest.”
http://pitchfork.com/reviews/albums/16071-dive/
WIRED Feature on Tycho:
“When making his latest album, Dive, which came out last week on Ghostly International, Hansen fell in love with the Minimoog and ended up using it to create many of the sounds on the record. He also used string synths to get the ambient, atmospheric vibes he was looking for.”
http://www.wired.com/underwire/2011/11/tycho-synthesizers/
Tuesday, November 22
CTD Press Update 11/21/11!
CTD Press Update 11/21/2011
Now Available Exclusively/Semi-Exclusively from CTD:
Please note: CTD will be closed for Thanksgiving on Thursday/Friday, November 24th/25th
saki will be closed on Thursday & open normal hours on Friday!
FEATURED:
Kieran Hebden/Steve Reid/Mats Gustafsson
“Live At The South Bank”
Smalltown Superjazzz: stsj211
PITCHFORK 8.0!!:
“On South Bank -- the most vital and essential document of Reid and Hebden's five-year partnership-- it feels clear that, at least onstage, they were finally able to go the distance. The invocation ‘Morning Prayer’ opens slowly, circling in space with a meditative calm. For 17 minutes, the pair traces lines around the other's rhythm, Hebden's electronics and keys shaping a cradle for Reid's busy tom-and-cymbal patter, and vice versa.”
“On South Bank -- the most vital and essential document of Reid and Hebden's five-year partnership-- it feels clear that, at least onstage, they were finally able to go the distance. The invocation ‘Morning Prayer’ opens slowly, circling in space with a meditative calm. For 17 minutes, the pair traces lines around the other's rhythm, Hebden's electronics and keys shaping a cradle for Reid's busy tom-and-cymbal patter, and vice versa.”
SOUND COLOUR VIBRATION:
“The order at which they chose to perform these tunes shows a deep mastery of conveying a message through the constraints of abstract instrumental music. From start to finish, this album plays like a day of life, from 'Morning Prayer' to 'The Sun Never Sets'. The message is timeless: in the eternal present, one is always alive - there is no death among the living.”
“The order at which they chose to perform these tunes shows a deep mastery of conveying a message through the constraints of abstract instrumental music. From start to finish, this album plays like a day of life, from 'Morning Prayer' to 'The Sun Never Sets'. The message is timeless: in the eternal present, one is always alive - there is no death among the living.”
PITCHFORK Forkcast of "Lyman Park":
“On June 20, 2009, Kieran Hebden (aka Four Tet), late jazz drummer Steve Reid, and Swedish saxophonist Mats Gustafsson performed in the foyer of the Queen Elizabeth Hall at London's Southbank Centre as part of that year's Ornette Coleman-curated Meltdown Festival. That performance was recorded, and on November 15 Smalltown Superjazz will release a recording of the performance, Live at the South Bank. "Lyman Place" is taken from that release.”
“On June 20, 2009, Kieran Hebden (aka Four Tet), late jazz drummer Steve Reid, and Swedish saxophonist Mats Gustafsson performed in the foyer of the Queen Elizabeth Hall at London's Southbank Centre as part of that year's Ornette Coleman-curated Meltdown Festival. That performance was recorded, and on November 15 Smalltown Superjazz will release a recording of the performance, Live at the South Bank. "Lyman Place" is taken from that release.”
ALL MUSIC:
“Given that this is likely the final entry in Reid's catalog, it is a very fitting one: it showcases his astonishing skills as soloist and ensemble player; it also delightfully illustrates deeper and wider aspects in both Hebden's and Gustafsson's musical personas.”
“Given that this is likely the final entry in Reid's catalog, it is a very fitting one: it showcases his astonishing skills as soloist and ensemble player; it also delightfully illustrates deeper and wider aspects in both Hebden's and Gustafsson's musical personas.”
RESIDENT ADVISOR:
“'Steve (Reid) is the greatest musician I have ever encountered,' Hebden once said. 'Not only was he the best player I've worked with but he was into music like no one else I know... Knowing someone be that into it was truly inspiring.'”
“'Steve (Reid) is the greatest musician I have ever encountered,' Hebden once said. 'Not only was he the best player I've worked with but he was into music like no one else I know... Knowing someone be that into it was truly inspiring.'”
EXCLAIM:
“After playing with the likes of Miles Davis, Fela Kuti and Ornette Coleman, jazz drummer Steve Reid linked up with Kieran Hebden (aka Four Tet) for a number of projects before passing away last year. Now a new live disc believed to be the final authorized recording of Reid is primed to demonstrate the bond between the pair.”
“After playing with the likes of Miles Davis, Fela Kuti and Ornette Coleman, jazz drummer Steve Reid linked up with Kieran Hebden (aka Four Tet) for a number of projects before passing away last year. Now a new live disc believed to be the final authorized recording of Reid is primed to demonstrate the bond between the pair.”
XLR8R:
“Recorded in 2009 and evocative of the four LPs the pair recorded before Reid's death last year, the set approaches a kind of electronic free jazz, with Reid's complex live percussion providing the bedrock for Hebden's electronic experimentations and Gustaffson's powerful sax work.”
“Recorded in 2009 and evocative of the four LPs the pair recorded before Reid's death last year, the set approaches a kind of electronic free jazz, with Reid's complex live percussion providing the bedrock for Hebden's electronic experimentations and Gustaffson's powerful sax work.”
Tuesday, November 15
CTD Press Update 11/15/11!
CTD Press Update 11/15/2011
Now Available Exclusively/Semi-Exclusively from CTD:
FEATURED:
Silver Tongues
“Black Kite”
Karate Body: kbr016
DUSTED:
“Cronin’s voice is, by the way, one of the main draws here. Cool and unruffled, without much vibrato, it carries easily, the kind that seems to dominate without much strain. You never hear a real break in it, even at the highest registers. And yet there’s an untouchability to it, perhaps coming from the way Cronin surrounds his sound with echo. Even the earthiest songs, blues-vamping ‘Wet Dog’ for instance, have a remote quality, their warmth seeming to come from a long way away.”
http://www.dustedmagazine.com/reviews/6731
SLOUCHER:
“It’s a spiritual encounter of more than 30 minutes, offering vocals with trails of prayers, nostalgia, gospel structures and a smooth integration of music elements. Music that gives wings to your soul, that’s how Silver Tongues sounds to me.”
http://sloucher.org/2011/10/26/silver-tongues-black-kite/
UPCOMING SOON:
Lindstrøm
"Six Cups Of Rebel"
Smalltown Supersound: sts221
PITCHFORK Best New Track “De Javu”:
“The whole thing has a pop audaciousness that recalls ZTT Records in their 1980s prime, and as ‘De Javu’ is brought to an abrupt halt after so much building up and coming down, you’re left wanting to hear what follows all this ecstasy on the album proper. That’s the great thing about this guy: whatever he’s doing, you never want it to end.”
http://www.pitchforkmedia.com/reviews/tracks/12743-de-javu/
Now Available Exclusively/Semi-Exclusively from CTD:
FEATURED:
Silver Tongues
“Black Kite”
Karate Body: kbr016
DUSTED:
“Cronin’s voice is, by the way, one of the main draws here. Cool and unruffled, without much vibrato, it carries easily, the kind that seems to dominate without much strain. You never hear a real break in it, even at the highest registers. And yet there’s an untouchability to it, perhaps coming from the way Cronin surrounds his sound with echo. Even the earthiest songs, blues-vamping ‘Wet Dog’ for instance, have a remote quality, their warmth seeming to come from a long way away.”
http://www.dustedmagazine.com/reviews/6731
SLOUCHER:
“It’s a spiritual encounter of more than 30 minutes, offering vocals with trails of prayers, nostalgia, gospel structures and a smooth integration of music elements. Music that gives wings to your soul, that’s how Silver Tongues sounds to me.”
http://sloucher.org/2011/10/26/silver-tongues-black-kite/
UPCOMING SOON:
Lindstrøm
"Six Cups Of Rebel"
Smalltown Supersound: sts221
PITCHFORK Best New Track “De Javu”:
“The whole thing has a pop audaciousness that recalls ZTT Records in their 1980s prime, and as ‘De Javu’ is brought to an abrupt halt after so much building up and coming down, you’re left wanting to hear what follows all this ecstasy on the album proper. That’s the great thing about this guy: whatever he’s doing, you never want it to end.”
http://www.pitchforkmedia.com/reviews/tracks/12743-de-javu/
Tuesday, November 8
CTD Press Update11/8/11!
Now Available Exclusively/Semi-Exclusively from CTD:
FEATURED:
Pigeons
“They Sweetheartstammers”
Soft Abuse: sab053
ALTERED ZONES Artist Profile:
“They Sweetheartstammers, out next week on Soft Abuse, is packed with hypnotic psychedelia, Francophilia, cobweb-laden sonic spaces, and shadowy retrofuturism, balancing moods of wonder and foreboding with an artisan's acumen.”
http://alteredzones.com/posts/2035/artist-profile-pigeons/
BROOKLYN VEGAN video for "Tournoi”:
“Speaking of Pigeons, who play the Chouette/De Stijl/FatCat/Soft Abuse day party at Bruar Falls, their LP They Sweetheartstammers will be released November 8 via Soft Abuse..”
http://www.brooklynvegan.com/archives/2011/10/amen_dunes_play.html
ALTERED ZONES:
“Their forthcoming They Sweetheartstammers LP exudes the same sense of mystery, sedation, and austere melodicism as last year's Liasons, but with an added sonic density and an expanded lineup (roping in members of No Neck Blues Band and Black Twig Pickers).”
http://alteredzones.com/posts/1811/pigeons-dead-echo/
ALTERED ZONES video for "Tournoi”:
“The result is a fuller-sounding Pigeons that still maintains their brooding beauty, but with pronounced hints of Hope Sandoval and brighter guitars that meander densely.”
http://alteredzones.com/posts/1933/pigeons-tournoi/
Kieran Hebden/Steve Reid/Mats Gustafsson
“Live At The South Bank”
Smalltown Superjazzz: stsj211
RESIDENT ADVISOR:
“'Steve (Reid) is the greatest musician I have ever encountered,' Hebden once said. 'Not only was he the best player I've worked with but he was into music like no one else I know... Knowing someone be that into it was truly inspiring.'”
http://www.residentadvisor.net/news.aspx?id=15117
FEATURED:
Pigeons
“They Sweetheartstammers”
Soft Abuse: sab053
ALTERED ZONES Artist Profile:
“They Sweetheartstammers, out next week on Soft Abuse, is packed with hypnotic psychedelia, Francophilia, cobweb-laden sonic spaces, and shadowy retrofuturism, balancing moods of wonder and foreboding with an artisan's acumen.”
http://alteredzones.com/posts/2035/artist-profile-pigeons/
BROOKLYN VEGAN video for "Tournoi”:
“Speaking of Pigeons, who play the Chouette/De Stijl/FatCat/Soft Abuse day party at Bruar Falls, their LP They Sweetheartstammers will be released November 8 via Soft Abuse..”
http://www.brooklynvegan.com/archives/2011/10/amen_dunes_play.html
ALTERED ZONES:
“Their forthcoming They Sweetheartstammers LP exudes the same sense of mystery, sedation, and austere melodicism as last year's Liasons, but with an added sonic density and an expanded lineup (roping in members of No Neck Blues Band and Black Twig Pickers).”
http://alteredzones.com/posts/1811/pigeons-dead-echo/
ALTERED ZONES video for "Tournoi”:
“The result is a fuller-sounding Pigeons that still maintains their brooding beauty, but with pronounced hints of Hope Sandoval and brighter guitars that meander densely.”
http://alteredzones.com/posts/1933/pigeons-tournoi/
Kieran Hebden/Steve Reid/Mats Gustafsson
“Live At The South Bank”
Smalltown Superjazzz: stsj211
RESIDENT ADVISOR:
“'Steve (Reid) is the greatest musician I have ever encountered,' Hebden once said. 'Not only was he the best player I've worked with but he was into music like no one else I know... Knowing someone be that into it was truly inspiring.'”
http://www.residentadvisor.net/news.aspx?id=15117
Tuesday, November 1
CTD Press Update 11/1/11!
CTD Press Update 11/01/2011
Now Available Exclusively/Semi-Exclusively from CTD:
FEATURED:
Mannequin Men
“Mannequin Men”
Addenda: nda006
SPIN preview of "Hobby Girl":
“The gloriously ramshackle Lose Your Illusion, Too by Chicago's Mannequin Men was one of 2009's highlights, so pardon our excitement over the follow-up (self-titled so as to avoid the problem of having to top that gag). The first track from the band's fourth record, out Nov. 8, is the midtempo cruiser ‘Hobby Girl’....”
http://www.spin.com/articles/editors-pick-new-track-mannequin-men
A.V. CLUB preview of "Hobby Girl":
“'Hobby Girl' marks a more mature age for the Mannequin Men. Replacing the band’s formerly rowdy sound with pop briskness, the track begs a lover to get her life together instead of wasting space on the couch”
http://www.avclub.com/chicago/articles/mannequin-men-and-jc-brooks-and-the-uptown-sound-d,62950/
CHICAGOIST preview of "Hobby Girl":
“Last fall, rough-around-the-edges Chicago garage rockers Mannequin Men debuted two new tracks from an then-upcoming Hozac Records single. One of those songs, 'Hobby Girl,' has re-emerged as the first single from their upcoming self-titled third record, which sees release in November on Addenda Records..”
ttp://chicagoist.com/2011/10/06/download_mannequin_men.php
LOUDLOOP:
“Whether Mannequin Men meant to or not, this so called ‘mature record’ of theirs is probably their best, and that’s a hurdle that many bands who start young simply fall flat on their face trying to jump.”
http://loudlooppress.com/reviews/mannequin-men-mannequin-men/
I ROCK CLEVELAND BLOG:
“This track is so smooth, the hooks are so clean, it’s as if they’ve been a power pop band all along.”
http://blog.irockcleveland.com/2011/10/10/a-fistful-of-jams-feat-mannequin-men-wussy-sex-church-and-eddy-current-suppression-ring/
THE OWL:
“With tracks like 'Hobby Girl,' Chicago-based Mannequin Men are proving that bands can be influenced by Van Morrison and not suck”
http://www.theowlmag.com/tag/mannequin-men/
UPCOMING SOON:
Pigeons
“They Sweetheartstammers”
Soft Abuse: sab053
ALTERED ZONES Artist Profile:
“They Sweetheartstammers, out next week on Soft Abuse, is packed with hypnotic psychedelia, Francophilia, cobweb-laden sonic spaces, and shadowy retrofuturism, balancing moods of wonder and foreboding with an artisan's acumen.”
http://alteredzones.com/posts/2035/artist-profile-pigeons/
Now Available Exclusively/Semi-Exclusively from CTD:
FEATURED:
Mannequin Men
“Mannequin Men”
Addenda: nda006
SPIN preview of "Hobby Girl":
“The gloriously ramshackle Lose Your Illusion, Too by Chicago's Mannequin Men was one of 2009's highlights, so pardon our excitement over the follow-up (self-titled so as to avoid the problem of having to top that gag). The first track from the band's fourth record, out Nov. 8, is the midtempo cruiser ‘Hobby Girl’....”
http://www.spin.com/articles/editors-pick-new-track-mannequin-men
A.V. CLUB preview of "Hobby Girl":
“'Hobby Girl' marks a more mature age for the Mannequin Men. Replacing the band’s formerly rowdy sound with pop briskness, the track begs a lover to get her life together instead of wasting space on the couch”
http://www.avclub.com/chicago/articles/mannequin-men-and-jc-brooks-and-the-uptown-sound-d,62950/
CHICAGOIST preview of "Hobby Girl":
“Last fall, rough-around-the-edges Chicago garage rockers Mannequin Men debuted two new tracks from an then-upcoming Hozac Records single. One of those songs, 'Hobby Girl,' has re-emerged as the first single from their upcoming self-titled third record, which sees release in November on Addenda Records..”
ttp://chicagoist.com/2011/10/06/download_mannequin_men.php
LOUDLOOP:
“Whether Mannequin Men meant to or not, this so called ‘mature record’ of theirs is probably their best, and that’s a hurdle that many bands who start young simply fall flat on their face trying to jump.”
http://loudlooppress.com/reviews/mannequin-men-mannequin-men/
I ROCK CLEVELAND BLOG:
“This track is so smooth, the hooks are so clean, it’s as if they’ve been a power pop band all along.”
http://blog.irockcleveland.com/2011/10/10/a-fistful-of-jams-feat-mannequin-men-wussy-sex-church-and-eddy-current-suppression-ring/
THE OWL:
“With tracks like 'Hobby Girl,' Chicago-based Mannequin Men are proving that bands can be influenced by Van Morrison and not suck”
http://www.theowlmag.com/tag/mannequin-men/
UPCOMING SOON:
Pigeons
“They Sweetheartstammers”
Soft Abuse: sab053
ALTERED ZONES Artist Profile:
“They Sweetheartstammers, out next week on Soft Abuse, is packed with hypnotic psychedelia, Francophilia, cobweb-laden sonic spaces, and shadowy retrofuturism, balancing moods of wonder and foreboding with an artisan's acumen.”
http://alteredzones.com/posts/2035/artist-profile-pigeons/
Tuesday, October 25
CTD Press Update 10/25/11!
Now Available Exclusively/Semi-Exclusively from CTD:
FEATURED:
Tycho
“Dive”
Ghostly International: gi145
PITCHFORK review of "Hours":
“While his world-of-tomorrow arrangements justify the boast, there's still something familiarly melancholic in those synths that could evoke someone's past, as the shimmer and echoes invite listeners to attach their own memories to the song's self-contained universe.”
http://pitchfork.com/reviews/tracks/12279-hours/
HUFFINGTON POST:
“San Francisco's Tycho makes rich sonic soundscapes that always calm me down when I'm stuck in bumper to bumper on the 405 at 5pm on a Friday and all I want to do is get home to my kung pao chicken leftovers from the night before. Quite a feat.”
http://www.huffingtonpost.com/2011/08/30/los-angeles-live-music-za_n_941965.html#s344367&title=Tuesday_August_30
UNDER THE RADAR:
“The track puts out a nice analog warmth that recalls Boards of Canada's soundscapes.”
http://www.undertheradarmag.com/media/hours_mp3/
FEATURED:
Tycho
“Dive”
Ghostly International: gi145
PITCHFORK review of "Hours":
“While his world-of-tomorrow arrangements justify the boast, there's still something familiarly melancholic in those synths that could evoke someone's past, as the shimmer and echoes invite listeners to attach their own memories to the song's self-contained universe.”
http://pitchfork.com/reviews/tracks/12279-hours/
HUFFINGTON POST:
“San Francisco's Tycho makes rich sonic soundscapes that always calm me down when I'm stuck in bumper to bumper on the 405 at 5pm on a Friday and all I want to do is get home to my kung pao chicken leftovers from the night before. Quite a feat.”
http://www.huffingtonpost.com/2011/08/30/los-angeles-live-music-za_n_941965.html#s344367&title=Tuesday_August_30
UNDER THE RADAR:
“The track puts out a nice analog warmth that recalls Boards of Canada's soundscapes.”
http://www.undertheradarmag.com/media/hours_mp3/
Tuesday, October 4
CTD Press Update 10/4/11!
Now Available Exclusively/Semi-Exclusively from CTD:
FEATURED:
Hecker, Tim
“Dropped Pianos”
Kranky: krank161
PITCHFORK FORKCAST of “Sketch 5”:
“Ambient noise deconstructionist Tim Hecker already released an album this year, Ravedeath, 1972; on October 10, Kranky will release Dropped Pianos, an album of sketches recorded by Hecker last year while preparing to record Ravedeath, 1972.”
http://pitchfork.com/reviews/tracks/12482-sketch-5/
ALTERED ZONES preview of “Sketch 5”
“Kranky just announced a follow-up to the release by the name of Dropped Pianos, though its contents-- a series of preparatory sketches for Ravedeath, 1972 -- suggest a wry reversal of narrative causality. ‘Sketch 5’ showcases some delicate alchemical reactions between piano and delay pedal that, in addition to providing a glimpse into his working process, are pretty bewitching in themselves.”
http://alteredzones.com/posts/1975/tim-hecker-sketch-5/
Charalambides
“Exile”
Kranky: krank158
PITCHFORK:
“The album's patient songs stop time in its tracks, freezing moments of thought and emotion so they can be viewed from all angles.”
http://pitchfork.com/features/the-out-door/8670-history-in-the-remaking/2/
FEATURED:
Hecker, Tim
“Dropped Pianos”
Kranky: krank161
PITCHFORK FORKCAST of “Sketch 5”:
“Ambient noise deconstructionist Tim Hecker already released an album this year, Ravedeath, 1972; on October 10, Kranky will release Dropped Pianos, an album of sketches recorded by Hecker last year while preparing to record Ravedeath, 1972.”
http://pitchfork.com/reviews/tracks/12482-sketch-5/
ALTERED ZONES preview of “Sketch 5”
“Kranky just announced a follow-up to the release by the name of Dropped Pianos, though its contents-- a series of preparatory sketches for Ravedeath, 1972 -- suggest a wry reversal of narrative causality. ‘Sketch 5’ showcases some delicate alchemical reactions between piano and delay pedal that, in addition to providing a glimpse into his working process, are pretty bewitching in themselves.”
http://alteredzones.com/posts/1975/tim-hecker-sketch-5/
Charalambides
“Exile”
Kranky: krank158
PITCHFORK:
“The album's patient songs stop time in its tracks, freezing moments of thought and emotion so they can be viewed from all angles.”
http://pitchfork.com/features/the-out-door/8670-history-in-the-remaking/2/
Wednesday, September 28
CTD Press Update 9/27/11!
CTD Press Update 09/27/2011
Now Available Exclusively/Semi-Exclusively from CTD:
FEATURED:
Cronin, Mikal
“Mikal Cronin”
Trouble in Mind: tim031
PITCHFORK 8.1!!:
“On his eponymous debut, Mikal Cronin proves he can hold his own. It's an album of wistful, psychedelic pop that pits lush and layered arrangements against needle-pinning power chords.”
http://pitchfork.com/reviews/albums/15844-mikal-cronin/
OWL MAG:
“like many of California’s rock revivalists, Cronin’s debut is incredibly loose and feels fresh and innovative on repeated listens.”
www.theowlmag.com/album-reviews/mikal-cronin-by-mikal-cronin
BLACK & WHITE:
“Mikal Cronin is more believable as a garage outcast. The surf-rocking punker opens his self-titled debut with lots of bashing and blurry greatness. Even the acoustic moments maintain a Beatlesque pop fury. There's some dull droning worthy of more typical indie acts, but Cronin finishes strong as a wimp-rocker who's a magnificent failure at making it into the in crowd.”
http://www.bwcitypaper.com/Articles-i-2011-09-15-243508.113121-The-Set-List.html
ALLMUSIC GUIDE:
“Mikal Cronin knows all sorts of examples of what can be described as classic pop/rock is obvious from the first notes of ‘Is It Alright’ -- harmonies out of the Beach Boys, a building burst of melody that the Raspberries could have loved, and an echo-swathed verse that's both Phil Spector and the Jesus and Mary Chain. But by the time the keyboard drone pop of ‘Slow Down’ arrives, it's clear that Cronin's debut release, however tied together by his singing, seeks to not simply be yet another power pop showcase above all else, whether served up clean or with layers of scuzz.”
http://www.allmusic.com/album/mikal-cronin-r2250625/review
UNCUT:
“(Ty) Segall moves fast, though, and the very latest recordings that he’s been involved with - both involving a new name to me, Mikal Cronin - are pretty fantastic…Cronin’s S/T is no less exciting, but draws from a much wider range: the very first seconds are filled with a capella harmonies indebted to The Beach Boys’ ‘Our Prayer’.”
http://www.uncut.co.uk/blog/index.php?blog=6&title=mikal_cronin_mikal_cronin&more=1&c=1&tb=1&pb=1
Now Available Exclusively/Semi-Exclusively from CTD:
FEATURED:
Cronin, Mikal
“Mikal Cronin”
Trouble in Mind: tim031
PITCHFORK 8.1!!:
“On his eponymous debut, Mikal Cronin proves he can hold his own. It's an album of wistful, psychedelic pop that pits lush and layered arrangements against needle-pinning power chords.”
http://pitchfork.com/reviews/albums/15844-mikal-cronin/
OWL MAG:
“like many of California’s rock revivalists, Cronin’s debut is incredibly loose and feels fresh and innovative on repeated listens.”
www.theowlmag.com/album-reviews/mikal-cronin-by-mikal-cronin
BLACK & WHITE:
“Mikal Cronin is more believable as a garage outcast. The surf-rocking punker opens his self-titled debut with lots of bashing and blurry greatness. Even the acoustic moments maintain a Beatlesque pop fury. There's some dull droning worthy of more typical indie acts, but Cronin finishes strong as a wimp-rocker who's a magnificent failure at making it into the in crowd.”
http://www.bwcitypaper.com/Articles-i-2011-09-15-243508.113121-The-Set-List.html
ALLMUSIC GUIDE:
“Mikal Cronin knows all sorts of examples of what can be described as classic pop/rock is obvious from the first notes of ‘Is It Alright’ -- harmonies out of the Beach Boys, a building burst of melody that the Raspberries could have loved, and an echo-swathed verse that's both Phil Spector and the Jesus and Mary Chain. But by the time the keyboard drone pop of ‘Slow Down’ arrives, it's clear that Cronin's debut release, however tied together by his singing, seeks to not simply be yet another power pop showcase above all else, whether served up clean or with layers of scuzz.”
http://www.allmusic.com/album/mikal-cronin-r2250625/review
UNCUT:
“(Ty) Segall moves fast, though, and the very latest recordings that he’s been involved with - both involving a new name to me, Mikal Cronin - are pretty fantastic…Cronin’s S/T is no less exciting, but draws from a much wider range: the very first seconds are filled with a capella harmonies indebted to The Beach Boys’ ‘Our Prayer’.”
http://www.uncut.co.uk/blog/index.php?blog=6&title=mikal_cronin_mikal_cronin&more=1&c=1&tb=1&pb=1
Tuesday, September 20
CTD Press Update 9/20/11!
CTD Press Update 09/20/2011
Now Available Exclusively/Semi-Exclusively from CTD:
FEATURED:
Crock
“Grok”
Jackpot Records: jpr019
YOUTUBE video for “Eat Your Hat Out”:
“"Eat Your Hat Out" by Crock featuring Sam Coomes of Quasi and Spencer Seim of Hella.”
“"Eat Your Hat Out" by Crock featuring Sam Coomes of Quasi and Spencer Seim of Hella.”
Youtube viewer: “I think I like it”
BROOKLYN ROCKS:
“The band's sound is built off the fuzzed-out / freaked-out urban electonica of bands like Suicide to which the band add elements of space rock, Zappa / Pavement style free-form deconstruction, dark stoner riffs and pounding industrial squiggles and rhythms.” http://brooklynrocks.blogspot.com/2011/09/crock-grok-cd-review-jackpot-records.html
PORTLAND MERCURY:
“This collaboration really does appear to be equal parts Hella and Quasi...” http://endhits.portlandmercury.com/endhits/archives/2011/08/03/crock-no-more-dumb-fun
Cronin, Mikal
“Mikal Cronin”
Trouble in Mind: tim031
OWL MAG:
“like many of California’s rock revivalists, Cronin’s debut is incredibly loose and feels fresh and innovative on repeated listens.” http://www.theowlmag.com/album-reviews/mikal-cronin-by-mikal-cronin
Thursday, September 15
CTD Press Update 9/13/11!
CTD Press Update 09/13/2011
Now Available Exclusively/Semi-Exclusively from CTD:
FEATURED:
Cronin, Mikal
“Mikal Cronin”
Trouble in Mind: tim031
ALLMUSIC GUIDE:
“Mikal Cronin knows all sorts of examples of what can be described as classic pop/rock is obvious from the first notes of ‘Is It Alright’ -- harmonies out of the Beach Boys, a building burst of melody that the Raspberries could have loved, and an echo-swathed verse that's both Phil Spector and the Jesus and Mary Chain. But by the time the keyboard drone pop of ‘Slow Down’ arrives, it's clear that Cronin's debut release, however tied together by his singing, seeks to not simply be yet another power pop showcase above all else, whether served up clean or with layers of scuzz.”
“Mikal Cronin knows all sorts of examples of what can be described as classic pop/rock is obvious from the first notes of ‘Is It Alright’ -- harmonies out of the Beach Boys, a building burst of melody that the Raspberries could have loved, and an echo-swathed verse that's both Phil Spector and the Jesus and Mary Chain. But by the time the keyboard drone pop of ‘Slow Down’ arrives, it's clear that Cronin's debut release, however tied together by his singing, seeks to not simply be yet another power pop showcase above all else, whether served up clean or with layers of scuzz.”
UNCUT:
“(Ty) Segall moves fast, though, and the very latest recordings that he’s been involved with - both involving a new name to me, Mikal Cronin - are pretty fantastic…Cronin’s S/T is no less exciting, but draws from a much wider range: the very first seconds are filled with a capella harmonies indebted to The Beach Boys’ ‘Our Prayer’.”
“(Ty) Segall moves fast, though, and the very latest recordings that he’s been involved with - both involving a new name to me, Mikal Cronin - are pretty fantastic…Cronin’s S/T is no less exciting, but draws from a much wider range: the very first seconds are filled with a capella harmonies indebted to The Beach Boys’ ‘Our Prayer’.”
CLLCT:
“A rare pearl of gritty yet melodious garage fun tucked away amidst the usual bevy of electronic offerings. This is spot on execution of great songwriting and the venerable melody hook with lots of grease on the collar to boot by one Mikal Cronin.”
“A rare pearl of gritty yet melodious garage fun tucked away amidst the usual bevy of electronic offerings. This is spot on execution of great songwriting and the venerable melody hook with lots of grease on the collar to boot by one Mikal Cronin.”
EVERYBODY TASTE:
“as heavy and guitar-dominated as the mix is on tracks like "Get Along" and "Apathy," it's Cronin's vocal melodies and delivery that really shine and sink their hooks into the listener as they cut their way through walls of fuzz. Two listens deep and I promise you'll be singing along.”
“as heavy and guitar-dominated as the mix is on tracks like "Get Along" and "Apathy," it's Cronin's vocal melodies and delivery that really shine and sink their hooks into the listener as they cut their way through walls of fuzz. Two listens deep and I promise you'll be singing along.”
DEATH AND TAXES:
“Judging from ‘Get Along’ and ‘Apathy,’ the upcoming LP sounds pretty promising. The two tracks build on the lo-fi fuzz of Mikal’s many West Coast affiliations but noticeably follow a more pop route with cleaner vocals, plenty of harmonies and nods to ’60s psych. It all creates a heavily infectious blend of garage rock.”
“Judging from ‘Get Along’ and ‘Apathy,’ the upcoming LP sounds pretty promising. The two tracks build on the lo-fi fuzz of Mikal’s many West Coast affiliations but noticeably follow a more pop route with cleaner vocals, plenty of harmonies and nods to ’60s psych. It all creates a heavily infectious blend of garage rock.”
CONSEQUENCE OF SOUND Top 10 MP3s of the week - “Apathy”:
“This song is all kinds of amazing, from the machine-gun snare fills to the catchy-as-shit chorus where Cronin implores that he “don’t want apathy”, and you’ve no choice but to believe him. It’s a perfect mix of pop and fuzz to draw ears of all kind. Put it on, and put it on loud, why don’t ya?.”
“This song is all kinds of amazing, from the machine-gun snare fills to the catchy-as-shit chorus where Cronin implores that he “don’t want apathy”, and you’ve no choice but to believe him. It’s a perfect mix of pop and fuzz to draw ears of all kind. Put it on, and put it on loud, why don’t ya?.”
Tuesday, August 23
CTD Press Update 8/23/11!
CTD Press Update 08/23/2011
Now Available Exclusively/Semi Exclusively from CTD:
FEATURED:
Razika
“Program 91”
Smalltown Supersound: sts210
PITCHFORK 7.3!!:
“Program 91's basic makeup is spiky, sharp, post-punk-inflected pop, executed with laser-precise accuracy....”
http://pitchfork.com/reviews/albums/15730-program-91/
NEW YORK TIMES:
“Razika plays naively sweet and imperfectly rhythmic ska-pop. Program 91, the band’s first album on Smalltown Supersound, is light as air, with lyrics about young love and frustration, and guitar tones so transparent they sound almost African.”
http://www.nytimes.com/2011/08/14/arts/music/new-work-by-razika-dev-hynes-owlfood-canon-blue.html?_r=3
ELLE MAGAZINE:
“Razika - four teenaged girls from Bergen, Norway - could make even the most staunch of ska’s critics take note. Their take on the genre is a shimmering update, one that crosses with pop.”
http://fashion.elle.com/culture/2011/08/12/razika-norways-teen-dreams/
FLAUNT:
“Razika, however, a group of four teenaged women, actually write their own songs, play their own instruments, and make danceable pop/ska that makes you want to pogo like a Norwegian troll. It's got energy enough to make you forget Norway is dark half the year, and spunk enough to bring you to the brink of giddiness.”
http://flaunt.com/flaunt/interview-razika
NYLON:
“We’ve only known about the Norwegian band Razika for a couple months now, but our love for their girly melodies and soft vocals is definitely growing by the day…it’s basically what we’d want the soundtrack of our life to sound like.”
http://nylonmag.com/nylonblogs/?s=razika&x=0&y=0
NME 8/10!!:
“Scandinavian dream-pop at it's best…it’s pretty perfect.”
http://www.nme.com/reviews/razika/12264
STOOL PIGEON 4/4!!:
“This is music imbued with wonderment and freedom, far removed from the cynicism and concerns about marketing you can hear creeping between the bars of so many fledgling bands.”
http://www.thestoolpigeon.co.uk/reviews/razika-program-91.html
DROWNED IN SOUND:
“This promising debut is a thing of such utter and ruddy brilliance it feels at once irresponsible to get carried away with praise and uppity to proffer anything so improbable as a perceived shortcoming.”
http://drownedinsound.com/releases/16433/reviews/4143342
BITCH MAGAZINE:
“Razika is cheery. Razika is crisp. Razika is catchy. Razika is Norwegian girl power pop made with two scoops of 2 Tone, rainbow sprinkles of '60s garage, and a cherry of jingle-jangle guitars on top. Yum!”
http://bitchmagazine.org/post/b-sides-razika
FADER:
“Norway’s Razika made a sweet, sweet album Program 91 (91 as in 1991 as in the year they were born!) that’s so sugary it almost gave us a toothache. That’s a compliment. They’re 20 years old, high school’s over, things are good. So many people are trying so many complicated things with music, it can be nice to hear something that’s just about the joy of being young and wanting to go on strolls in the park with boys you like. The Ramones understood that, and so does Razika.”
http://www.thefader.com/2011/08/01/interview-razika/
FADER REVIEW OF “Eg Vetsje”:
“...we need great pop rock like this. It’s infinitely listenable.”
http://www.thefader.com/2011/06/23/razika-eg-vetsje-riktig-mp3/
GUARDIAN UK:
“This is faithful stuff, pretty straight and unreconstructed, with nice choruses, sweet vocals and a bubblegum bounce.”
http://www.guardian.co.uk/music/2011/jul/08/new-band-razika
ARTROCKER - ALBUM OF THE SUMMER 2011 5 STARS!!:
“...they’re totally brilliant; using the regular set up of bass, drums, guitars and all that polava, that they somehowe manage to create snappy, breezy and lime-fresh sound. Why don’t millions of bands sound this magical?”
http://www.smalltownsupersound.com/wordpress/wp-content/uploads/2011/07/ArtRockerAlbumOfTheSummerAlbumReviewAugSept1.jpg
Now Available Exclusively/Semi Exclusively from CTD:
FEATURED:
Razika
“Program 91”
Smalltown Supersound: sts210
PITCHFORK 7.3!!:
“Program 91's basic makeup is spiky, sharp, post-punk-inflected pop, executed with laser-precise accuracy....”
http://pitchfork.com/reviews/albums/15730-program-91/
NEW YORK TIMES:
“Razika plays naively sweet and imperfectly rhythmic ska-pop. Program 91, the band’s first album on Smalltown Supersound, is light as air, with lyrics about young love and frustration, and guitar tones so transparent they sound almost African.”
http://www.nytimes.com/2011/08/14/arts/music/new-work-by-razika-dev-hynes-owlfood-canon-blue.html?_r=3
ELLE MAGAZINE:
“Razika - four teenaged girls from Bergen, Norway - could make even the most staunch of ska’s critics take note. Their take on the genre is a shimmering update, one that crosses with pop.”
http://fashion.elle.com/culture/2011/08/12/razika-norways-teen-dreams/
FLAUNT:
“Razika, however, a group of four teenaged women, actually write their own songs, play their own instruments, and make danceable pop/ska that makes you want to pogo like a Norwegian troll. It's got energy enough to make you forget Norway is dark half the year, and spunk enough to bring you to the brink of giddiness.”
http://flaunt.com/flaunt/interview-razika
NYLON:
“We’ve only known about the Norwegian band Razika for a couple months now, but our love for their girly melodies and soft vocals is definitely growing by the day…it’s basically what we’d want the soundtrack of our life to sound like.”
http://nylonmag.com/nylonblogs/?s=razika&x=0&y=0
NME 8/10!!:
“Scandinavian dream-pop at it's best…it’s pretty perfect.”
http://www.nme.com/reviews/razika/12264
STOOL PIGEON 4/4!!:
“This is music imbued with wonderment and freedom, far removed from the cynicism and concerns about marketing you can hear creeping between the bars of so many fledgling bands.”
http://www.thestoolpigeon.co.uk/reviews/razika-program-91.html
DROWNED IN SOUND:
“This promising debut is a thing of such utter and ruddy brilliance it feels at once irresponsible to get carried away with praise and uppity to proffer anything so improbable as a perceived shortcoming.”
http://drownedinsound.com/releases/16433/reviews/4143342
BITCH MAGAZINE:
“Razika is cheery. Razika is crisp. Razika is catchy. Razika is Norwegian girl power pop made with two scoops of 2 Tone, rainbow sprinkles of '60s garage, and a cherry of jingle-jangle guitars on top. Yum!”
http://bitchmagazine.org/post/b-sides-razika
FADER:
“Norway’s Razika made a sweet, sweet album Program 91 (91 as in 1991 as in the year they were born!) that’s so sugary it almost gave us a toothache. That’s a compliment. They’re 20 years old, high school’s over, things are good. So many people are trying so many complicated things with music, it can be nice to hear something that’s just about the joy of being young and wanting to go on strolls in the park with boys you like. The Ramones understood that, and so does Razika.”
http://www.thefader.com/2011/08/01/interview-razika/
FADER REVIEW OF “Eg Vetsje”:
“...we need great pop rock like this. It’s infinitely listenable.”
http://www.thefader.com/2011/06/23/razika-eg-vetsje-riktig-mp3/
GUARDIAN UK:
“This is faithful stuff, pretty straight and unreconstructed, with nice choruses, sweet vocals and a bubblegum bounce.”
http://www.guardian.co.uk/music/2011/jul/08/new-band-razika
ARTROCKER - ALBUM OF THE SUMMER 2011 5 STARS!!:
“...they’re totally brilliant; using the regular set up of bass, drums, guitars and all that polava, that they somehowe manage to create snappy, breezy and lime-fresh sound. Why don’t millions of bands sound this magical?”
http://www.smalltownsupersound.com/wordpress/wp-content/uploads/2011/07/ArtRockerAlbumOfTheSummerAlbumReviewAugSept1.jpg
Wednesday, August 3
CTD Press Update 8/2/11!
CTD Press Update 08/02/2011
Now Available Exclusively/Semi Exclusively from CTD:
FEATURED:
Szczepanik, Nicholas
“Please Stop Loving Me”
Drag City/Streamline: stream1031
PITCHFORK 7.8:
“There is a lot to love here, much of it mesmerizing, even soothing. Just don't turn your brain off, because Szczepanik is more interested in challenging than hypnotizing...Szczepanik excels at finding subtlety and nuance in immersive volumes. Even at his softest here, he could fill an airplane hangar with his music”
http://pitchfork.com/reviews/albums/15689-please-stop-loving-me/
UPCOMING SOON:
Cronin, Mikal
“Mikal Cronin”
Trouble in Mind: tim031
DEATH AND TAXES:
“Judging from ‘Get Along’ and ‘Apathy,’ the upcoming LP sounds pretty promising. The two tracks build on the lo-fi fuzz of Mikal’s many West Coast affiliations but noticeably follow a more pop route with cleaner vocals, plenty of harmonies and nods to ’60s psych. It all creates a heavily infectious blend of garage rock.”
http://www.deathandtaxesmag.com/123711/listen-mikal-cronins-apathy-and-get-along-produced-by-ty-segall/
CONSEQUENCE OF SOUND Top 10 MP3s of the week - “Apathy”:
“This song is all kinds of amazing, from the machine-gun snare fills to the catchy-as-shit chorus where Cronin implores that he “don’t want apathy”, and you’ve no choice but to believe him. It’s a perfect mix of pop and fuzz to draw ears of all kind. Put it on, and put it on loud, why don’t ya?.”
http://consequenceofsound.net/2011/07/top-10-mp3s-of-the-week-729/
SF WEEKLY:
“‘Apathy’ sounds like a forgotten MTV Buzz Bin hit from about 1994, with its soft acoustic intro and relentlessly catchy chorus. The song then rises into a noisy climax complete with what sound like off-kilter saxophones. It's pretty rad.”
http://blogs.sfweekly.com/shookdown/2011/07/hear_apathy_by_mikal_cronin_ty.php
KATIE DARBY RECOMMENDS:
“As soon as the first few lines of ‘Apathy’ flew out of my stereo, I was sold on Cronin– not just as a musician, but as a composer. The way this song fits together reminds me of the way I felt when I was listening to early Beck records; this isn’t a completely new venture, but it feels new and fresh. I love the way the instruments in the song jump in and out; I love the controlled chaos. If ‘Apathy’ is any indication, this guy is fantastic.”
http://www.katiedarbyrecommends.com/2011/07/27/keep-listening-for-mikal-cronin/
CITIZEN DICK.com:
“Just like his work with Segall, Cronin's LP promises a collection of gritty and attitude-laden garage rock. I've professed my undying adoration for Segall's Goodbye Bread too many times to count on this here blog. I'm already considering this album a perfect counterpart for the second half.”
http://citizendick.org/2011/07/25/mikal-cronin-apathy-mp3/?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed%3A+CitizenDick+%28Citizen+Dick%29&utm_content=Twitter
ALTERED ZONES:
“Opening itself up wider with each play, this is a good record in the truest sense of the word.”
http://alteredzones.com/posts/1682/mikal-cronin-apathy/
RAVEN SINGS THE BLUES.com:
“Cleaner than we've heard him in a long time, the record packs a huge whollop in its three-minute garage-pop punches. Scraping its way through fuzz, jangle, slow burn motions and even a few psychedelic breakdowns, the record is nothing if not infectious; opening itself up wider with each play.”
http://ravensingstheblues.blogspot.com/2011/07/mikal-cronin.html
AUSTIN TOWN HALL.com:
“If you toss in a little more melody on Segall’s formula for psych-rock, perhaps remove a bit of hazy tones, and this is pretty much what you’re going to get. I know, right! Sounds pretty awesome, so jump on the wagon now…”
http://networkedblogs.com/kIX8n
IMPOSE MAGAZINE.com:
“Much like Segall's excellent Goodbye Bread, Cronin is maturing beyond the grimy scuzz with little hint of growing pains.”
http://www.imposemagazine.com/bytes/mikal-cronin-bros-down-with-ty-segall-again
THE BAY BRIDGED.com:
http://www.thebaybridged.com/2011/07/27/mikal-cronin-get-alongapathy/
CONSEQUENCE OF SOUND: TOP 10 MP3s OF THE WEEK:
http://consequenceofsound.net/2011/07/top-10-mp3s-of-the-week-729/
Now Available Exclusively/Semi Exclusively from CTD:
FEATURED:
Szczepanik, Nicholas
“Please Stop Loving Me”
Drag City/Streamline: stream1031
PITCHFORK 7.8:
“There is a lot to love here, much of it mesmerizing, even soothing. Just don't turn your brain off, because Szczepanik is more interested in challenging than hypnotizing...Szczepanik excels at finding subtlety and nuance in immersive volumes. Even at his softest here, he could fill an airplane hangar with his music”
http://pitchfork.com/reviews/albums/15689-please-stop-loving-me/
UPCOMING SOON:
Cronin, Mikal
“Mikal Cronin”
Trouble in Mind: tim031
DEATH AND TAXES:
“Judging from ‘Get Along’ and ‘Apathy,’ the upcoming LP sounds pretty promising. The two tracks build on the lo-fi fuzz of Mikal’s many West Coast affiliations but noticeably follow a more pop route with cleaner vocals, plenty of harmonies and nods to ’60s psych. It all creates a heavily infectious blend of garage rock.”
http://www.deathandtaxesmag.com/123711/listen-mikal-cronins-apathy-and-get-along-produced-by-ty-segall/
CONSEQUENCE OF SOUND Top 10 MP3s of the week - “Apathy”:
“This song is all kinds of amazing, from the machine-gun snare fills to the catchy-as-shit chorus where Cronin implores that he “don’t want apathy”, and you’ve no choice but to believe him. It’s a perfect mix of pop and fuzz to draw ears of all kind. Put it on, and put it on loud, why don’t ya?.”
http://consequenceofsound.net/2011/07/top-10-mp3s-of-the-week-729/
SF WEEKLY:
“‘Apathy’ sounds like a forgotten MTV Buzz Bin hit from about 1994, with its soft acoustic intro and relentlessly catchy chorus. The song then rises into a noisy climax complete with what sound like off-kilter saxophones. It's pretty rad.”
http://blogs.sfweekly.com/shookdown/2011/07/hear_apathy_by_mikal_cronin_ty.php
KATIE DARBY RECOMMENDS:
“As soon as the first few lines of ‘Apathy’ flew out of my stereo, I was sold on Cronin– not just as a musician, but as a composer. The way this song fits together reminds me of the way I felt when I was listening to early Beck records; this isn’t a completely new venture, but it feels new and fresh. I love the way the instruments in the song jump in and out; I love the controlled chaos. If ‘Apathy’ is any indication, this guy is fantastic.”
http://www.katiedarbyrecommends.com/2011/07/27/keep-listening-for-mikal-cronin/
CITIZEN DICK.com:
“Just like his work with Segall, Cronin's LP promises a collection of gritty and attitude-laden garage rock. I've professed my undying adoration for Segall's Goodbye Bread too many times to count on this here blog. I'm already considering this album a perfect counterpart for the second half.”
http://citizendick.org/2011/07/25/mikal-cronin-apathy-mp3/?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed%3A+CitizenDick+%28Citizen+Dick%29&utm_content=Twitter
ALTERED ZONES:
“Opening itself up wider with each play, this is a good record in the truest sense of the word.”
http://alteredzones.com/posts/1682/mikal-cronin-apathy/
RAVEN SINGS THE BLUES.com:
“Cleaner than we've heard him in a long time, the record packs a huge whollop in its three-minute garage-pop punches. Scraping its way through fuzz, jangle, slow burn motions and even a few psychedelic breakdowns, the record is nothing if not infectious; opening itself up wider with each play.”
http://ravensingstheblues.blogspot.com/2011/07/mikal-cronin.html
AUSTIN TOWN HALL.com:
“If you toss in a little more melody on Segall’s formula for psych-rock, perhaps remove a bit of hazy tones, and this is pretty much what you’re going to get. I know, right! Sounds pretty awesome, so jump on the wagon now…”
http://networkedblogs.com/kIX8n
IMPOSE MAGAZINE.com:
“Much like Segall's excellent Goodbye Bread, Cronin is maturing beyond the grimy scuzz with little hint of growing pains.”
http://www.imposemagazine.com/bytes/mikal-cronin-bros-down-with-ty-segall-again
THE BAY BRIDGED.com:
http://www.thebaybridged.com/2011/07/27/mikal-cronin-get-alongapathy/
CONSEQUENCE OF SOUND: TOP 10 MP3s OF THE WEEK:
http://consequenceofsound.net/2011/07/top-10-mp3s-of-the-week-729/
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